Pokretni motel paviljon / Moving Motel Pavilion
koncept, instalacija, video 2015. Niskobudžetna privremena instalacija od izolir traka reprodukuje crtež Ivana Vitića za bungalo u okviru motela u Trogiru (1965). Instalacija se može koristiti kao zaseban izložbeni segment u okviru većih hala ili javnog prostora. Na taj način se motel kreće i može ga posetiti više ljudi, umesto da stoji na jednom mestu, zapušten i zatvoren jer je u privatnom vlasništvu. Rad je realizovan u okviru internacionalnog kolaborativnog projekta Bijenala mladih umetnika Mediterana i Evrope (BJCEM) i udruženja Slobodne veze (Zagreb). Vitićev motel je nedugo potom dobio status zaštićenog spomenika kulture. Može se videti i u okviru Future Architecture Platform, projekta kojim koordinira Muzej arhitekture i dizajna u Ljubljani. Foto: gore - instalacija u centralnoj zgradi Univerziteta u Novom Sadu centar i dole - dokumentacija instalacije projektovana u Galeriji Reflektor, Užice, 16-27.4.2017, foto Dejan Clement ----------- concept, installation, video 2015 Reconstruction of a pavilion from motel in Trogir, designed by Ivan Vitic. The contours of pavilion are further used as spatial unit within larger exhibition pavilions, presenting a separate curatorial corner. The pavilion has all the measures in precise modernist propositions and can be replicated in real or smaller relation. It was firstly presented at 17th Biennale of young artists from Mediterranean and Europe in Milan, within the collaborative project of BJCEM and Slobodne veze from Croatia. Also visible at Future Architecture Platform (Museum of Architecture and Design, Ljubljana). Dimensions: 5x2x9m Images: top - Installation in the Central building of University of Novi Sad centre and bellow - installation edited as video, at Gallery Reflektor, Uzice, Serbia, 16-27.4.2017. Photo Dejan Clement

Prostorna istorija MSUV / Spatial History of MoCAV
site specific instalacija i intervencija 2013. Intervencija mapira sve prošle i nerealizovane lokacije Muzeja savremene umetnosti Vojvodine, sumirajući ih u horizontalni timeline koji je dostupan posetiocima na sadašnjoj lokaciji Muzeja. Za deo galerije u kojoj je instalacija bila postavljena se znalo da će pripasti Muzeju Vojvodine sa kojim MSUV deli zgradu i na taj način je ta prostorija postala savršena lokacija za istraživanje relanih, planiranih, potencionalnih i nerelizovanih mesta za MSUV. Kada se prostorna istorija MSUV grafički prikaže u jednoj instalaciji, posetioci mogu da sagledaju period kada Muzej nije imao svoje izložbene prostorije (18 godina) ili ih je imao u okviru SPENSa (15 godina), kao i da uz mapu vide predložene i projektno nerelizovane lokacije. Jedini izloženi objekat je bio katalog konkursnih i nagrađenih rešenja za zgradu MSUV u okviru kineske četvrti, inače projekat i publikacija MSUV. Svi ti nekadašnji i nikadašnji prostori su upisani u tadašnji prostor Muzeja i bio je ostavljen prostor da se preko njih izvede performans, organizuje okrugli sto, predavanje, prezentacija ili sl. Foto Images: gore - skica instalacije centar i dole - instalacija u MSUV u okviru Forum di Arte e Kultura Contamporanea 30.6-6.7.2013, foto Marko Ercegovic ---------- site specific installation 2013 The intervention maps all previous and unrealised locations of the Museum of Contemporary Art Vojvodina, summing them in horizontally layered projection and making them accessible to visitors within the present location of the Museum. The part of gallery in which it took place was about to undergo some architectonical changes and become part of another museums with which MoCAV shares the building. As such, it represents a peculiar space for investigating real, planned and latent spaces for MoCAV. Through all traces of spatial history of MoCAV being overlapped at once, the visitors gain insight into those periods when MoCAV had no exhibition space of its own (18 years) or had one within the Sports and Business Centre Vojvodina (15 years), as well as those unrealized projections of MoCAV into other existing or to-be-built complexes. The only exhibited object as such is the book of entered and awarded projects for the new building in 2006. All these previous spaces of MoCAV are inscribed into its current space and they gain capacity to be over written by setting for round table, workshop or some other work meeting on the proposed themes, while the other spatial levels of the gallery leave other interventions to overlap and intersect with them. Images: top - sketch of the installation cetre and bottom - Installation views at MoCAV, within Forum di Arte e Kultura Contamporanea 30.6-6.7.2013 Photo Marko Ercegovic

Objekti-modeli / Objects-models
Rad koristi male ramove kao konstrukcije na koje se oslanjaju apstraktni objekti. Ti objekti, napravljeni od standardizovanih formata papira, morularni su i mogu se kombinovati, a imaju sličnosti sa arhitektonskim maketama i pop-up knjigama. Papirni elementi su samo isečeni i isavijani, bez korišćenja lepila ili nekog drugog sredstva za učvršćivanje, pošto ih konstrukcije ramova drže na okupu. Foto - instalacija u Galeriji Doma omladine Beograda, 2018. ----------- The work uses small frames as constructions upon which are based abstract objects. These objects, made of standardized paper formats, are modular and they can be combined and moved within different frames. The paper elements were just cut, folded and arranged without using glue or any other adhesive material, since the constructions of the frames hold them together. Installation view at Galerija Doma omladine Beograda