SU / SK (2013-2017)
U pitanju je procesualni umetnički rad koji operiše na relacijama između umetnosti, anti-umetnosti, ne-umetnosti i savremenog advertajzinga. Na tragu teze Jozefa Bojsa da svaki pojedinac može biti umetnik, rad je inspirisan grotesknim kolektivizmom Situacionističke internacionale (SI), takođe se nadovezujući na tradiciju umetničkih oglasa, mail art, kao i licemerni razvitak konceptualnih umetničkih praksi. Problematizujući pojam autorstva i originalnosti SU subvertira institucionalni sistem umetnosti - SU je istovremeno konceptualna umetnica, angažovani participativni projekat, grupni identitet i konačno advertajzing kampanja i brend. Ovaj dugoročni projekat, započeo je kreacijom (tekstualnog) hibrida, stvorenog sudarom suprotnosti, koji je prezentovao (virtuelni) umetnički identitet – Slatku Konceptualnu Umetnicu. Ovaj identitet godinama je pozivao na interakciju - komunikaciju, interpretaciju, te kolaboraciju i participaciju, korišćenjem jednostavnih oglasa. Čitav projekat podrazumeva niz faza u kojima pratimo razvoj i karijeru ove umetnice, od uličnih oglasa na ružičastom papiru, preko saradnje sa ELLE magazinom, grupnih i samostalnih izložbi i prisustva u kolekcijama, do njene konačne tranzicije iz balkanskog u zapadnoevropski umetnički identitet, te inauguracije novorođene austrijske umetnice Süße Konzeptkünstlerin (SK) u Beču, 22. marta 2017. Inicijalna kreatorka ovog projekta, odn. virtuelnog umetničkog identiteta izvodi ulogu medijatorke, transformišući se tokom samog procesa u producentkinju, i na kraju oficijelnu menadžerku ove nove umetnice. SU / SK (2013-2017) This project operates on the borderlines between art, anti art, non-art and contemporary advertising. Following the thesis of Joseph Beuys, that every individual can be an artist, the project is inspired by grotesque collectivism of Situationist International (SI), but also builds on tradition of artistic ads, mail art, as well as hypocritical development of conceptual art practices. By questioning the matter of authorship and originality SCA subverts the institutional system of art - SCA is at the same time a conceptual artist as well as an engaged participative project, group identity and finally an advertising campaign and brand. This long-standing project begins with a creation of a (textual) hybrid, collision of the opposites, that is supposed to present (virtual) artistic identity – Sweet Conceptual Artist. During the past few years this identity asked for interaction - communication, interpretation, collaboration and participation by using simple ads. The entire project involves a series of stages that follow evolution and career of this artistic identity – from the street ads on the pink paper, collaboration with magazine ELLE, group and solo exhibitions, taking part in art collections – to her final transition from Balkan into Western European identity and inauguration of the newly born Austrian artist Süße Konzeptkünstlerin (SK), in Vienna on the 22nd of March 2017. Initial creator of the project, ie. virtual artistic identity is playing the role of mediator, transforming her self during this process into producer and finally official manager of this new artist. SU (SK) exhibitions / presentations: April 2017 / Slatka Konceptualna Umetnica 2013-2017, National Museum of Contemporary Art, Ostavinska Gallery, Belgrade, Serbia March 2017 / Süße Konzeptkünstlerin sucht Unterstützung, Kulturdrogerie, Vienna March 2017 / S.U., KulturKontakt AIR exhibition, Concordiaplatz 2, Vienna July 2016 / Sweet Conceptual Artist looking for comprehension! Conversations about Sweet Conceptual Artist, discussion, Art Space U10, Belgrade June 2016 / Solo exhibition Sweet conceptual artist looking for support / Slatka konceptualna umetnica traži podršku, Art Space U10, Belgrade August 2015 / ELLE magazine, September issue July – August 2015 / banners on ELLE Serbia website March 2015 / Sweet Conceptual Artist 2013-2015, Art in the expanded field / View on the art scene of Vojvodina 1995-2014’ MSUV, Novi Sad, Serbia February 2013 / Sweet Conceptual Artist looking for a job, guerilla intervention in MSUV, Novi Sad

FEMKANJE / RADIO MAPIRANJE NEZAVISNE SCENE (2015)
Radio mapiranje nezavisne scene je 16-to kanalna audio instalacija koja obuhvata celokupni prvi serijal radio emisija Femkanje. Ukupno šezdesetčetiri emisije, emitovane na NOFM radiju u periodu od marta 2013. do juna 2014. godine, mapirane su na šesnaest zasebnih zvučnika i distribuirane po mesecima produkcije. Sve emisije puštene simultano čine da se više od sedamdeset nezavisnih akterki/a, na razjedinjenoj i slabo organizovanoj sceni, najzad čuju u jednom glasu. Prostor ispunjen glasovima stvara naročiti coctail party efekat u kome pubilka uspeva da čuje pojedinačne dijaloge samo uz dodatni napor. Instalacija je propraćena detaljnom i hronološki uređenom listom svih sagovornica/ka, kao i odeljkom za izdvojeno slušanje emisija. Instalacija je prvi put prikazana je na 21. Međunarodnom festivalu savremene umetnosti Mesto Žensk u Ljubljani, a u okviru izložbe Zig Zag održane u ŠKUC galeriji 2015. godine. Na poziv kustosa i teoretičara Borisa Grojsa (Boris Groys) instalacija je potom bila prikazana na 8. Trijenalu savremene umetnosti U3, održanog prošle godine pod nazivom Beyond the Globe u Galeriji moderne umetnosti u Ljubljani. Propratni tekst instalacije On the topic of Cosmos, komentar na kustoski okvir Borisa Grojsa, možete pročitati ovde:http://femkanje.com/on-the-topic-of-cosmos/. Femkanje je podkast, umetnički i medijski projekat, posvećen savremenoj umetnosti i kulturi u Srbiji, ex-YU regionu i Evropi. Stavljajći poseban akcenat na modele nezavisne produkcije i samo-organizacije u savremenoj kulturi, kao i na medijsku vidljivost i rodnu ravnopravnost u reprezentaciji njenih akterki/a, Femkanje teži da doprinese razumevanju savremene umetnosti u Srbiji. Trenutno u trećem serijalu, Femkanje objavljuje mesečni podkast, učestvuje u javnim diskusijama i aktivno izlaže na međunarodnim izložbama. Autorke i voditeljke emisije su umetnice Bojana S. Knežević i Katarina Petrović. Tehnička podrška: Martin Lovšin Schintr Produkcija podržana od strane MG+MSUM, Ljubljana / Mesto Žensk, Zaklada Kultura nova i CONA Institut za procesuiranje savremene umetnosti, Ljubljana Fotografije: Matija Pavlovec i Dejan Habicht, Moderna galerija, Ljubljana www.femkanje.com FEMKANJE / RADIO MAPPING THE INDEPENDENT SCENE (2015) Radio Mapping the Independent Scene is a 16 channel audio installation presenting the first season of the radio show Femkanje. Total of 64 shows, broadcasted on NOFM radio from March 2013 to June 2014, are mapped onto 16 separate speakers representing 16 months of work. All of the shows are played simultaneously giving rise for more then 70 independent actors, of disunited and poorly organised scene, to finally be heard in one voice. The room filled with voices creates a particular “cocktail party” effect, where the audience can hear a single dialogue only with an additional effort. The installation is followed by a chronologically ordered and detailed list of all of the speakers and with a booth where you can listen to a selected episode in full as well. The installation was first shown at the 21. International festival of contemporary arts - City of Women in Ljubljana, as part of the Zig Zag exhibition held in the gallery ŠKUC in 2015. Later, at the invitation of the curator and theoretician Boris Groys, the installation was shown at the 8. Triennial of contemporary art - U3, held last year under the title Beyond the Globe at Museum of Modern Art in Ljubljana. An accompanying text of the installation On the topic of Cosmos, commentary to the curatorial framework of Boris Groys can be read here: http://femkanje.com/on-the-topic-of-cosmos/. Femkanje is a podcast, art and media project dedicated to contemporary arts and culture in Serbia, ex-Yugoslavian region and Europe. With a special emphasis on independent productions and sel/organisation in contemporary culture, as well as on media visibility and gender equality, the show aims to contribute to the understanding of contemporary arts in Serbia. Currently in the third session, Femkanje publishes monthly podcasts, takes part in public talks and exhibits internationally. Authors and hosts of the show are artists Bojana S. Knežević and Katarina Petrović. Technical support: Martin Lovšin Schintr Production supported by: MG+MSUM Ljubljana / City of Women festival, Zaklada Kultura nova and CONA - Institute for promotion of contemporary art, Ljubljana Photographs: Matija Pavlovec and Dejan Habicht, Museum of Modern Art, Ljubljana www.femkanje.com

BEOGRAD – ŽIVOT ILI SMRT (2014)
Video esej i trejler za dokumentarni film_Produkcija, režija I montaža: Bojana S. Knežević_Scenario i glavna uloga: Maja Atanasijević_Direktor fotografije: Aleksandar Ramadanović_Dizajn zvuka: Predrag Šestić_ “Film prati poznatu manekenku i stilistkinju u njenoj usamljenoj ali intenzivnoj borbi za povratak zaboravljenih vrednosti jednog grada.” Kroz formu eksperimentalnog dokumentarca / video eseja i trejlera za dokumentarni film, ovaj projekat je osmišljen da testira okruženje na određenu temu – “urušavanje kulturnih vrednosti glavnog grada” i njegovi uzročnici. Intimna priča o Beogradu, poznate manekenke i stiliskinje Maje Atanasijević, praćena je serijom performansa u javnom prostoru. Ova priča targetirala je široku publiku i ponovo pokrenula debate o razlikama između “Beograđana/ki” i onih koji/e to nisu. Inspirisan poznatim feminističkim sloganom “lično je političko”, ovaj projekat ispituje granice njegove interpretacije, testirajući doživljaj lične istine u specifičnim okolnostima i okruženju. BELGRADE – LIFE OR DEATH (2014) Video easy and trailer for documentary_Director, producer and editor: Bojana S. Knežević_Writer and protagonist: Maja Atanasijević_Cinematographer: Aleksandar Ramadanović_Sound design: Predrag Šestić_ ‘The film follows a famous model and stylist Maja Atanasijević in her lonely, but intense struggle to brink back forgotten values of a city‘. Through a form of experimental documentary / video easy and a trailer for documentary, this project is conceived to test the environment about specific topic – ‘erosion of cultural values of the capital city’ and its causes. An intimate story about Belgrade (then and now), told by a famous model and stylist Maja Atanasijević, is followed by her eccentric performances in the public space. This story targeted wide audience and launched again debate about the difference between Belgrade ‘natives’ and ‘nonnatives’. Inspired by a famous feminist phrase ‘personal is political’, this project investigates limits of its interpretation by testing perception of a personal truth, in the specific conditions. Film is available online. Trailer: https://vimeo.com/89666423 Film: https://vimeo.com/162248276 Screenings: 2015 / 7th Kastav Film Festival, Kastav, Opatia, Croatia 2014 / 7th International Film Festival Cinema City, Novi Sad, Serbia Mikser House, Belgrade, Serbia 61st Belgrade documentary and short film festival, DOB, Belgrade, Serbia